This is part two of three. The full text which I’m calling ‘The Long and Winding Road’ is too long to publish in a single post, so it has been broken into three parts. Last week I published part one: Daisies, Watermelon and The Rolling Stones. Today is part two; This Calls For A Spotify Playlist. Next week part three: A Tourist in NZ.
The Long and Winding Road: This Calls For A Spotify Playlist. There really are only two ways I listen to music these days. On my ipod and via Spotify on my phone or computer. I don’t count listening to music on the radio as this is something I’m forced into now that Radiosport is no longer on the air.
On the morning drive to work, Radiosport was my go to channel. Now I’m forced to choose between bird calls on the National Programme, Mike Hosking complaining about the Prime Minister and the Labour Party on Newstalk ZB or music that I don’t enjoy or understand. While I’m sure I could easily find a radio station that I like, what it boils down to is that on my travels, I miss my radio station, Radiosport.
Radiosport was the most glorious of stations. Sports coverage 24 hours a day, 7 days a week, 52 weeks a year. It was my default station no matter where I was. Be it at home or in the car, radiosport would play until I decided which podcast or playlist I’d entertain myself with. Unfortunately, it seems that men aged between 30 to 60 talking about rugby all day didn’t pay the bills and after 25 years of broadcasting it was taken off the air. I must admit, I am still working through the seven stages of grief with this loss of my longtime companion and the drives to and from work and the travels around Aotearoa just aren’t the same. I didn’t think I’d miss the continual analysis of ‘the problem with the Blues’, how ‘the Warriors are still a mathematical chance to make the playoffs’ or how the All Blacks are the best team in the world despite losses to Australia, South Africa, Ireland and god forbid – England, as much as I do.
A great source of comfort in working through the stages of grief (currently I’m sitting between stages five and six, anger and depression) has been my iPod and Spotify. As simple as my iPod is, Spotify seems wonderfully technical. I can load it on my computer and phone through a simple app and then stream it via bluetooth to all sorts of places. In one touch I can leap between music genres that have no business following each other and happily create playlists that make sense to me and me alone. My current rotation ranges from Blind Willie McTell, Buddy Holly, Lead Belly and BB King to The Doors, Bob Dylan, Nirvana and The Offspring.
A short time back I once invested time exploring all the playlist selections that were available to me. Curiosity got the better of me and I just had to find out what was included in a ‘Mood’ playlist. This is a decision that I instantly regretted. Not learning from my mistake, I then ventured into playlists called Even Flow, We Be Vibin, Confidence Boost and Front Left. After a few minutes of scrolling and scanning through titles and artists I didn’t know, including a playlist called ‘You Do You’ I decided that this wouldn’t enhance my mood when navigating icy New Zealand roads at 7am on a chilly winter morning. In fact, they’d probably have the opposite effect. Returning to the search bar and having plenty of time due to being in a Covid 19 alert level 4 lockdown, I decided to alter my search to a more local flavour. I wanted to know what was popular in New Zealand on Spotify in 2019 and what local, Kiwi artists I could find for a New Zealand music month playlist.
With the goal of creating a playlist for future roadtrips, I went in search of New Zealand music and trends. Looking at the statistics from 2019, I was pleasantly surprised when I realised that these were local artists that I had actually heard of. Out of the top four, I recognised two of them. That’s 50%, a pass mark in the old fifth form New Zealand school certificate test. A whole 19% more than I achieved in Science back in 1992.
My hopes of being a New Zealand music guru were raised even further when I discovered that at first glance, out of New Zealand’s most streamed local tracks in 2019, I recognised five out of the six bands. That’s an incredible 83%. As quickly as my hopes were raised, they were just as soon dashed when I concluded that having heard the name of the band, doesn’t mean you know anything about them. Or, being able to name the address of a student flat in Castle Street, Dunedin doesn’t automatically mean you know the band’ songs. I read the list which contained titles called Vibes, The Greatest, Don’t Forget Your Roots and Don’t Give It Up. I quickly realised that I knew none of these.
My fall from grace of being a New Zealand music guru was only added too when I discovered that New Zealand’s most streamed international artists consisted of Khalid, Post Malone, Billie Eilish, Ed Sheeran and Ariana Grande. I desperately searched my mind for some type of knowledge of these rock megastars but all I could recall was that Ed Sheeran played three concerts in Dunedin last year, and there’s a painting of him on a wall in the central city.
My initial excitement of having a great, in depth knowledge of the New Zealand music scene had quickly plummeted and showed no sign of abating with the more I found out. I now had to face the sobering reality I knew more about Science in the fifth form, than I did about New Zealand music in my 40’s. A fact I’m ashamed to admit it is probably true. My brief flirtation with modern Kiwi music had resulted in abject failure. I began to wonder what else I didn’t understand or know about this great country called Aotearoa.
I made a mental note that I needed to improve my knowledge of my own country’s identity. At the time I didn’t think much of it, but it would soon come to be a very prophetic thought.
Next week, Part 3: A Tourist In NZ.
Otago Harbour from Mount Cargill
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