Russell Summer Evening – Buy
Recently while on holiday I found myself pondering a single thought, which was this; isn’t it amazing how sitting in the sun all day, doing nothing but reading a book and occasionally complaining that the sun has disappeared behind a cloud, makes you feel like you’ve earned a drink by 3pm? Not that I’m complaining, in fact, as I write I notice that it’s actually 4:13pm. So, if you’ll excuse me, I believe I hear my beer fridge calling.
The Routeburn Track – Buy
I decided, impulsively, to walk a section of the Routeburn Track. However, being neither prepared or dressed for such an undertaking, it was when I reached a swing bridge over Sugerloaf Stream that I reconsidered my options. Looking at my watch and discovering the afternoon was quickly disappearing, I made a few quick calculations. Deciding that I’d gone far enough to earn a beer at the nearest pub, I started the walk back.
Lee Bay In Stewart Island – Buy
On the beach at Lee Bay in Stewart Island, after considerable thought, I came to a single conclusion. I like Stewart Island, and here’s the reason why. Stewart Island has a sum total of around 20 kilometers of roading compared to 245 kilometers of walking tracks. Now, there aren’t many places in the world where you can say that!
Bethunes Gully – Buy
As it turns out, it’s possible to hurt yourself while walking, which is a rather silly thing to do, given all my walking experience! Having been exploring some bush tracks, I was about to finish my downhill descent, when I decided that it would be a good idea to step on a smallish rock that as it turns out wasn’t altogether stable. This resulted in my left leg moving involuntarily forward, my right leg stayed where it was while my right knee traveled in a completely different direction. Spending the next week complaining about the pain coming from my knee, I had the good sense to listen to my wife (and for her sanity) and seek treatment.
The Hokitika Gorge Walk – Buy
Fortunately for me, I had a good friend acting as a tour guide. Our last stop was the wonderful Hokitika Gorge that is tucked away in the Hokitika Scenic Reserve. After a short walk that crossed 2 suspension bridges, we were presented with the most astounding aqua blue water, hidden in the most amazing forest.
Lake Tekapo – Buy
Without a doubt the most outstanding features of Lake Tekapo and the McKenzie Region are the clear blue lakes, the mountain backdrops and the clear night skies. Standing on the edge of the lake, looking out to the clear blue beyond, I wanted to give mother nature a round of applause and say ‘job well done!’
Stock On State Highway 83 – Buy
What a joy it is to drive around New Zealand. At any one time you have to negotiate trucks, buses, campervans, campervans towing boats, campervans towing cars, utes, utes towing boats, utes towing trailers, cars towing boats, cars towing trailers, tractors, scooters, walkers, runners, cyclists, railway crossings, single lane bridges, Nissan LEAF drivers and the odd flock of sheep. All of whom share New Zealand’s roads in moderate bliss. Although why Nissan LEAF’s are allowed on the national state highway system is quite beyond me!
Dunedin Railway Station – Buy
After a short walk I stopped and looked. A small army of tourists seemed to be gathering in front of the Dunedin Railway Station. As far as the eye could see, the party of several hundred had broken up into groups of twos and threes and were carefully studying maps of their planned invasion of the city. This is what I love about seeing cruise ship passengers around New Zealand cities once again, they organise their time with military precision.
A Place With No Name
Racecourse Road, Lindenow (2015).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
Beyond The Horizon
Pukerangi, Sutton (2015).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
If It Is True I Now Do Know.
Homestead Road, Hakataramea Valley (2014).
Truth And Meaning, In Obscurity Be My Voice
Waikouaiti River, Waikouaiti (2017)
To See Eternity In A Grain Of Sand
Paraparaumu Beach, Kapiti Coast (2015).
And It Seems Like It Goes On This Forever
Ida Valley Background, Ida Valley (2014).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
Lost In Isolation
St Andrews-Waimate, St Andrews (2017).
Just A Drop Of Curiosity In An Endless Horizon.
McHardy Road, Middlemarch (2015).
Vision Lives Between Memories
Kapiti Island, Kapiti Coast (2017)
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
The Importance of Self-Awareness
Riverbank Road, Henley (2014).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
Reality & Imagination Woven Together
Scotts and Baudinetts Road, Lindenow (2015).
The Nature Of Individuality.
Middlemarch, Strath Taieri (2011).
What To Find I Did Not Know.
Lower Manorburn Dam, Lower Manorburn Reserve (2017).
Curiosity And Dreams In Another Moment
Fruitlands-Roxburgh, Fruitlands (2016).
Somewhere Else But Thee Be Not Here
Flat Top Hill, Butchers Dam (2018).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
Let Thy Message Be Clear.
Paraparaumu Beach, Kapiti Coast (2013).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
Memories Haunted In Mist
Sheppard and Papanui Inlet Roads, Otago Peninsula (2017).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
Back But Never Forward
Seacliff, Dunedin (2017).
Understanding Not In Clarity
Hampden Crossing, Hampden (2017).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
Then I Always Asked Why?
Hampden Crossing, Hampden (2017).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
Find A Voice, Shall Be Heard
Paraparaumu Beach, Kapiti Coast (2015).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
To A World Unsure
Karetai Track , Otago Peninsula (2017).
The Expereince of Seeing (2021)
I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.
I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.
