Purakanui

Daily Photo – Purakanui

There’s something delightful about Purakanui, tucked away behind Port Chalmers and Aramoana on Dunedin’s northern coast. On this walk, I stumbled upon a row of weathered boathouses perched above the turquoise water, each one painted a little differently, as if competing gently for attention. The stillness of the inlet, the reflection of the hills, and the smell of salt and pine made it one of those moments you want to bottle up and take home.

Purakanui feels like a hidden place, one that hasn’t changed much in decades. The boathouses lean slightly with age, but that only adds to their charm, they’ve stood through storms, tides, and time itself. The bush presses in close behind, and when the wind drops, the only sounds are the lap of water and the occasional bird cry from the bush.

It’s the kind of scene that reminds you why exploring the backroads around Dunedin is so rewarding.

Observation Point in Port Chalmers

Daily Photo – Observation Point in Port Chalmers

If there’s one thing to be discovered at Observation Point in Port Chalmers, it’s the view. I know that might sound a little obvious, but it’s the very view that the famous New Zealand artist Ralph Hotere drew inspiration from – and it’s amazing! It’s not hard to see why he loved it so much, or why he fought so fiercely to keep it.

In the 1970s, Hotere bought a four-room cottage near Observation Point and turned it into his first studio, transforming it quite a bit along the way. When a near-derelict stable next door came up for sale, he was desperate to get hold of it. Not only were the stables rumoured to have once housed Captain Robert Scott’s ponies on their way to Antarctica, but they also offered stunning views right down Otago Harbour – and they did not disappoint.

Once settled, Hotere produced some of his most famous works there and was content enough until the early 1990s, when Port Otago moved to reclaim the land for a port extension. Logging exports to Japan were booming, and to keep up with demand, the port needed to expand its operations, which meant they needed Hotere’s land. The problem was, he wasn’t about to move. What followed was a long, very public dispute between the artist, local authorities, and the community. Eventually, though, Hotere reluctantly agreed to sell, allowing the port’s expansion project to finally go ahead.

When he gave in, many who had supported him felt a way of disappointment. No one’s entirely sure what prompted his change of mind, perhaps he simply grew tired of the fight and decided to move on. Whatever the reason, when the dust settled, Hotere donated the proceeds from the sale to the Frances Hodgkins Fellowship Trust Fund. Today, the Hotere Garden Oputae stands on the site where his studio once was. It opened in 2005, marking the return of four of his sculptures to the hill that inspired him for so many years.

Still Boats in Deborah Bay

Daily Photo – Still Boats in Deborah Bay

From Port Chalmers, I headed down the harbour road towards Aramoana – stopping on the way to see an old Torpedo Boat base. Tucked away in Deborah Bay, just around the bend from Port Chalmers, is the curious relic of the remains of Torpedo Boat Mole. It sounds like something out of a war film, but in fact it’s a small stone jetty built in the 1880s when New Zealand decided it needed a navy, or at least a few boats that looked like one. At the time, fears of a Russian invasion ran high, and several “torpedo boats”, essentially small, fast launches armed with spar torpedoes were stationed around the country, ready to defend the ports – just in case!

Dunedin’s was based here in Deborah Bay, sheltered and out of sight from prying enemy eyes. The mole itself was built to provide a base and slipway for the vessel, though the threat of attack never came, and the torpedo boat saw little action beyond the occasional exercise. Today, the remains of the mole sit quietly at the water’s edge, stones weathered and covered with a few picnic tables that are a lovely spot on a fine day, a reminder of a time when the nation nervously watched the horizon for warships that never appeared.

The Banzai Pipeline Stunt

Action Park

Looking for a good Waterslide documentary? Checkout Class Action Park: a 2020 documentary film about the American amusement park Action Park, which was located in Vernon Township, New Jersey.

Daily Photo – The Joy of the Waterslide

I like to think the worlds first waterslide was invented on a fine, sunny day by two blokes on a particularly steep hillside. I imagine one, with a red, oil covered baseball cap and a large handlebar mustache whose name is something like, Hank, putting down his beer, turning to his friend Jerry, and saying:
“Hey, here’s an idea. If we make a long steep ramp and shoot water down it really fast like, into that pool of water at the bottom, we might really have something. We could even sit in things and leave our fate up to gravity.”
To which Jerry replies, “Yeah, we could invite our friends and charge people money!”

This random train of thought got me thinking that of course, not every waterslide adventure ends in fun and in my reading, I found some alarming statistics. In March last year, a study in Texas found that the most common water park injuries were slips and falls, traumatic brain injuries, spinal and neck injuries and near-drowning. Across the pond, our friends in the United Kingdom found in a similar study that more than half of injuries affected the face and head, 29% happened on landing, and 24% were caused by slipping. And here in New Zealand, in the year from 2021, we spent roughly $3 million treating injuries. Clearly, water slides are fun, though not entirely without risk – and not immune from acts of stupidity, like The Banzai Pipeline Stunt in California.

In June 1997, a group of graduating High School seniors were at Waterworld USA, location of the popular Banzai Pipeline water slide. On this occasion, ignoring both the lifeguard and park official warnings, the seniors attempted to pile over sixty people onto the one-person ride. The colossal, unexpected weight caused the elevated fiberglass to snap with a groaning collapse. The pipeline sheared apart, plunging the screaming, interlocked students three stories down onto the hard concrete deck below with over thirty severely injured.

Now, I have absolutely no idea who invented the world’s first waterslide, when it happened, or why, but my guess is they were American – and either extremely confident in their mathematical calculations or had been drinking a whole lot.

Burns House – a Kind of Mathematical Poetry

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Daily Photo – Burns House – a Kind of Mathematical Poetry

There’s something oddly beautiful about buildings like this, all rhythm and repetition, concrete and glass, each window framing a tiny world. From a distance, it looks almost like a giant puzzle, oddly precise and orderly with small irregularities, a curtain half drawn, a light left on or a reflection that doesn’t quite fit the pattern. That’s the charm of it. What was once just another office block now feels almost nostalgic. There’s a kind of mathematical poetry in its plainness. In fact, if you stare at it long enough – it almost becomes an optical illusion.

Chicago Skyscrapers & Edwardian Elegances

Daily Photo – Chicago Skyscrapers & Edwardian Elegances

In December 1909, when the first tenants moved into the New Zealand Express Company Building (now Consultancy House) in Dunedin, what excitement there must have been. People stopped in the street, craned their necks skyward, and gasped in awe at the imposing edifice stretching up towards the clouds. It was unlike anything the city had seen before. Here was an amalgam of Chicago skyscraper and Edwardian elegance at its very finest, seven storeys of groundbreaking architectural wonder.

The soaring colossus that had risen from the ground in Dunedin’s Bond Street in a little over two years was a triumph of modern engineering. To create such a towering structure took around 400 tonnes of steel, over 500,000 bricks, and approximately 1,000 cubic feet of Oamaru stone. Add to that the kauri and rimu timber for floors and doors, the pressed-metal ceilings imported from the United States, and the marble stairs and tiled entryways, and it’s easy to see why Dunedin was proud. It was the tallest building in the Southern Hemisphere, its view said to be unsurpassed anywhere else in the city, and its form of construction, as one newspaper noted, “had so far not yet been adopted anyway in the colonies.” This was one impressive building! Even more remarkable was the staggered occupation that took place upon opening, uncommon at the time, especially for large commercial buildings such as this. When the first tenants moved in towards the end of 1909, five of the seven storeys were complete, while work continued on the upper floors until final completion in 1910.

I mention this because the other day I happened to be near Consultancy House, not far from a new building recently opened in a style I like to call pointy and angular, a perfect example of what happens when architects are given a ruler, a lot of money, and far too much confidence. It looks like someone wrapped an office block in a giant, golden Venetian blind. No doubt it’ll take a team of highly paid specialists to fix it the moment a bird so much as sneezes on it. It’s not that I dislike the new four-storey, $45 million ACC Ōtepoti development, it’s just that I much prefer a little grand Victorian or Edwardian elegance, with an ornate façade in my buildings.

Dunedin Railway Yards

Daily Photo – Dunedin Railway Yards

At its peak, Dunedin’s railway yards were incredibly busy. From the late 19th century through to about the 1950s, they were among the busiest in the country. The station wasn’t just a passenger hub; it was the operational centre for the entire Otago region. Hundreds of workers were employed in the yards, long trains loaded with wool, timber, livestock, coal, and manufactured goods constantly came and went, connecting Dunedin to the port at Port Chalmers and to inland towns as far as Invercargill and Central Otago. The smell of coal smoke, the clang of metal, and the hiss of steam were part of the city’s daily life with up to one hundred trains passing through the station each day at its peak.

Boulder Beach on the Otago Peninsula

Daily Photo – Boulder Beach on the Otago Peninsula

Earlier in the year, I took a walk down to Boulder Beach on the Otago Peninsula. The idea came to me one evening when, having a few days spare, I decided I would put it to good use and get in some physical exercise. This was at odds with my initial plan, which had been to lay on the couch and watch Major League Baseball, moving only to go to the toilet and gather more snacks that I would inevitably accumulate in a large pile in front me! So, after a heated debate with myself, I eventually settled on the walk and the next morning I headed out the door with an eagerness in my step, a spirited sense of adventure, and a bag full with camera equipment. 

Once upon a time, access to Boulder Beach was possible via a well-maintained and signposted track that led down to the beach. Along the way, walking tracks branched off through the dunes and up over the nearby hills. You could spend an entire day exploring them, and never walk the same track twice. Now, all those paths are a distant memory, and for good reason – it is a protected wildlife area. You see, it is often visited by fur seals and sea lions, and is a favoured nesting spot for yellow-eyed penguins. In fact, the beach is so popular with these shy, nesting birds that the track is closed to the public from November to February during the breeding season.

I walked down to the beach. The farm road was longer and steeper than I remembered, and the nearby sand dunes had collapsed, resulting in an unexpected excursion through newly formed valleys, overgrown and heavy with dune. Reaching the bottom of the hill, I pushed my way through dense bushes tangled with vines. Every so often, the path would disappear—only to reappear moments later.

Eventually, after much swearing, I stumbled upon the isolated, wild, windswept beach. Golden dunes spilled to the shoreline, while large mounds of dark, smooth stones stretched along the beach and into the distance. The air was rich with salt, and the rhythm of waves rolling beneath the endless blue sky. Quiet, peaceful, and serene.

Observation Point in Port Chalmers

Daily Photo – Observation Point in Port Chalmers

If there’s one thing to be discovered at Observation Point in Port Chalmers, it’s the view. I know that might sound a little obvious, but it’s the very view that the famous New Zealand artist Ralph Hotere drew inspiration from – and it’s amazing! It’s not hard to see why he loved it so much, or why he fought so fiercely to keep it.

In the 1970s, Hotere bought a four-room cottage near Observation Point and turned it into his first studio, transforming it quite a bit along the way. When a near-derelict stable next door came up for sale, he was desperate to get hold of it. Not only were the stables rumoured to have once housed Captain Robert Scott’s ponies on their way to Antarctica, but they also offered stunning views right down Otago Harbour – and they did not disappoint.

Once settled, Hotere produced some of his most famous works there and was content enough until the early 1990s, when Port Otago moved to reclaim the land for a port extension. Logging exports to Japan were booming, and to keep up with demand, the port needed to expand its operations, which meant they needed Hotere’s land. The problem was, he wasn’t about to move. What followed was a long, very public dispute between the artist, local authorities, and the community. Eventually, though, Hotere reluctantly agreed to sell, allowing the port’s expansion project to finally go ahead.

When he gave in, many who had supported him felt a way of disappointment. No one’s entirely sure what prompted his change of mind, perhaps he simply grew tired of the fight and decided to move on. Whatever the reason, when the dust settled, Hotere donated the proceeds from the sale to the Frances Hodgkins Fellowship Trust Fund. Today, the Hotere Garden Oputae stands on the site where his studio once was. It opened in 2005, marking the return of four of his sculptures to the hill that inspired him for so many years.

Afternoon Wandering In Dunedin

When I’m not listening to Spotify or Podcast, then I’m on audible listening to books. Audible is amazing and it really is mindboggling how many titles are on there!
You can find it here: https://www.audible.com/ep/audiobooks


Daily Photo – Afternoon wandering in Dunedin

The other week, I was wandering through central Dunedin late on a sunny winter’s afternoon. There was some crazy afternoon light hanging over the city, and not much traffic, which made a nice change, so I had plenty of time to line up the shots I wanted. In fact, to get a bit of elevation in this image, I had to stand on a narrow stone wall, which required a decent balancing act. If I’d fallen forwarded, I’d have toppled over a metal rail and spilled out all over the street. Fortunately, back in the day when the church was constructed, they made things pretty solid, and wide!

Dusk On A Winters Evening

Titanic – Ship of Dreams: This is currently my favourite podcast. Over 14 eposides you follow the ship’s journey from Belfast across the Atlantic, through to the tragic collision with the iceberg and after. Spoiler alert, the shipsinks! Not only do you hear amazing stories from victims and survivors, but you discover how the extraordinary conditions on the ocean that night only added to the confusion.
You can find it here: https://www.noiser.com/titanic-ship-of-dreams


Daily Photo – Dusk on a winters evening

So I’ve started another video project featuring Dunedin and lots of my images. It’s been rattling around inside my head for a while and it’s about time I did something about it. Some of the images are recent while others come from the last two to five years so it’s a bit of a mixed bag. Unfortunately, it’s not the type of project that’ll be finished quickly, but I can share with you an image that’s making the final cut – dusk in Dunedin on a winter eveing.

Venedin

The Tūhura Photography Exhibition is on again at Otago Musuem in Dunedin until the 12th October. It’s always a fantastic competition with stunning images featuring entries across four categories: Wildlife, Botanical, Landscape, and Natural Abstract. There’s video presentations, hands-on family activities, rare wildlife specimens, and you can even vote for your favourite in the People’s Choice Award. Best of all – it’s free!


Daily Photo – Venedin

There’s been a bit of rain around Dunedin lately – so much in fact, that a few of the areas around town started to look a bit like Venice, with large puddles spilling over across the streets. While the regular traffic flow around the city was disrupted, the upside was that puddles are great fun to splash around in. They also make great photo opportunities, particularly when coupled with a historic building or two!

The Organ Pipes

Daily Photo – The Organ Pipes

Let’s rewind the clock around 15 million years, and we’d find ourselves in a very different version of Dunedin. For starters, the scenery would be dominated by a restless volcano that had a habit of erupting with little warning. During one of its more dramatic outbursts, lava spilled out across the land. As it cooled, it contracted and cracked, creating striking hexagonal basalt columns. These natural formations can still be seen today in spots like Lawyers Head, Blackhead, and the Pyramids at Okia Reserve on the Otago Peninsula. Over the course of millions of years, wind, rain, and time itself have sculpted the land, slowly shaping features like the Organ Pipes into the rugged forms we now recognise, and many of us enjoy clambering over on a sunny afternoon.

Kaimata Road

Daily Photo – Kaimata Road

Once again we have the metaphor of lines dissolving into the horizon in my work. Only this time the road adds another element. Here, the fence line draws the eye through and intersects with an old gravel road, both threading into the brooding grey sky. In moments like this the land seems to pause, as though waiting. There’s a tension between what is visible and what remains just out of reach and beyond. The light was heavy, with only wire, grass, and sky, but that’s all that’s needed.

Esplanade Sea Fog

Daily Photo – Esplanade sea fog

Late in the evening, I stepped out onto the St Clair Esplanade, greeted by a thick sea fog that had rolled in silently over the last hour. I’d been tucked away just around the corner at a bar called Salt, enjoying the comforting heaviness of a burger, the sharpness of pickles and charred beef softened by a few leisurely pints. Inside was warm, bustling with catter and the clink of glasses; outside, the night was taking hold.

Streetlamps glowed like lanterns in the mist, casting soft, hazy light that stretched down the esplanade in a procession. I could hear the ocean breathing somewhere just beyond the railings. The fog had a way of absorbing sound and scattering light, wrapping everything in stillness. I wandered slowly, past the old signpost pointing to far-off places and the poem stencilled along the sea wall. For a moment, I had the coast to myself—just the hum of distant waves, the glow of lamps, and the heavy quiet of the fog.

Your Latest Trick

Daily Photo – Your Latest Trick

Having parked on Dowling Street sometime around 5am, I stepped out into a city still half-asleep. All the late night bargains had long since been struck and at this early hour a light rain was falling, soft enough to hear and just enough to give the pavement that glassy, reflective sheen. I wandered slowly up Princes Street toward Moray Place, the streets almost entirely empty.

At that hour, traffic was rare, just the occasional car slipping past, leaving a quiet trail of red or white light behind it. The city felt like it was waiting. The wet road turned everything into a mirror. Streetlights flared, traffic signals shimmered, and colours stretched out in long lines across the ground. I set up briefly in the middle of the street, camera ready, letting long exposures pull light out of the darkness.

For a few minutes, it felt like the city to myself. Peaceful, quiet, and still. A moment between night and day.

The Viper’s Nest

Daily Photo – The Viper’s Nest

It was just after 8:00pm on an early winter’s night and the street was quiet, slick after the evening rain. Somewhere down South Road, a muffled hum of tyres approached, rising like a tide and receding just as fast. The local shops lit in glowing pastel of blues and purples, like some kind of retreat in a sea of black. It was cold. Not quite bone-deep cold, but enough that you kept your hands in your pockets and your shoulders hunched against it.

In the dark, the streetlights stretch like starbursts, the reflections glinting off wet asphalt, and the long streaks of red and white from passing cars that blur time in a single frame. Earlier in the day, it hadn’t seemed like much, just another row of low shops, a street lined with parked cars and bins tucked against fences. But now, with the city mostly tucked in for the night, it had a kind of eerie beauty. The kind that only reveals itself when no one’s really looking.

I could’ve been home. Warm. Dry. Probably halfway through a movie and a cup of tea. Instead, I was crouched on a street corner in Dunedin, camera balanced, breath fogging, waiting for headlights to draw silver and gold lines across the road. Waiting for the shutter to catch the passing of time.

Theatre of Shadows

Daily Photo – Echoes in the empty seats and whispers in the wings

If there’s one truth about theatres, it’s that they’re riddled with secrets. Behind every heavy door, down each narrow stairwell, and beyond dimly lit corridors lie forgotten spaces and hidden corners that whisper stories of performances past. Just when you believe you’ve uncovered every inch, a shadowed hallway appears, one you swear wasn’t there before and leads you to a part of the theatre shrouded in mystery. And there’s nothing quite as haunting or spellbinding as standing alone in the silence of a grand, empty auditorium with 1600 vacant seats staring back at you. It’s a moment that stirs something deep in your bones.

The Early Hours of Suburbia

Daily Photo – The early hours in suburbia

It was a quarter past five in the morning and it was cold. Somewhere in the warmth of my car a thermometer on the dashboard was reading 3°C (37.4°F) while standing outside, near The Terminus building I could not only see my breath, but feel the chilly morning air slapping me hard across the face. The few cars out this early left trails of mist, steam and fog. I was tired, hardly awake and questioning my sanity, choosing to stand near a closed group of shops waiting for cars to drive past.

The previous evening after a few beers, it’d been suggested to me that the corner of the former Terminus Building and Presbyterian Church would be a good photo location as cars pass by in predawn darkness. At eleven o’clock at night it had seemed a capital idea. But now, standing in the early morning chill, waiting for cars to drive past, I realised I could still be in a nice warm bed.

Southern Lights

Daily Photo – Southern Lights

A few hours later I arrived in Dunedin. The sky had long since darkened, and the city lights shimmered in the night air. I pulled off near the Southern Motorway to photograph the ribbons of light that danced along the road with white and red streaks, the trails of headlights and taillights captured in a long exposure. The rush of cars passed unseen, but their presence painted the scene in motion and colour. The streetlamps hummed overhead, casting soft amber pools of light that barely cut through the encroaching night.

The chilly air clung to cheeks and hinted at a lazy morning frost soon to settle on the nearby rooftops and roads. It was the kind of night where your breath lingered in front of your face before disappearing into the dark. I stayed a little longer, letting the camera finish its work, and watched the city lights sparkle in the distance – Dunedin glowing quietly at the end of the road.

Dunedin Sunset

Daily Photo – Dunedin Sunset

Much to everyone’s surprise, I didn’t go out chasing the spectacular Aurora Australis show the other night. I simply enjoyed it from my front garden. I was tempted, however I’d already been out and about shooting over most of the weekend and by the time it was hitting, I was nicely settled in for the evening. Lazy I know. I did however capture the tail end of the sunset from Layers Head on the way home. Not quite as stunning as an Aurora, yet full of colour nonetheless.

Wandering Dunedin: A Quiet Afternoon

Daily Photo – Dunedin Law Courts & Anzac Square Gardens

There’s something really rather peaceful about wandering a city with no real plan, especially on a quiet, chilly Dunedin afternoon. I found myself strolling near the Railway Station, with its imposing grandeur built from basalt and Oamaru stone, when I drifted toward the Law Courts. No destination in mind, just following the quiet.

As a building, I’ve always liked the Law Courts with its dark stone, turrets, and the gothic feel—it’s the kind of architecture that makes you pause. I wandered up to the entrance and read a bit of history from the board out front. Turns out, Dunedin’s first permanent Courthouse and Prison were built here back in 1859, right on a narrow strip of reclaimed land at the foot of Bell Hill. Back then, the harbour came right up to the base of the old jail.

These buildings were part of the first wave of public infrastructure as Dunedin grew from a struggling settlement into a proper town. The current Law Courts and the neighbouring Police Station were designed by Government Architect John Campbell and built between 1895 and 1902.

Funny how a slow walk can take you through history, without even trying. Just you and a cold afternoon breeze.

This is NOM*d

Daily Photo – This is NOM*d

While wandering the Dunedin Art Gallery, I stumbled upon an exhibition titled ‘this is NOM*d’, a local fashion label that’s apparently been shaping New Zealand style since 1986. Now I know almost nothing about fashion, both New Zealand’s or anyone else’s—and have even less fashion sense. But somehow, it was fascinating. Of course, I didn’t understand a single thing I was looking at, but I nodded anyway in a profoundly wise manner, as if I always appreciated layered dresses, bright coats and ribbed sleeves that look like they’ve been through a lawn mower.

Derelict Building Near Larnach’s Castle

Daily Photo – Derelict building on Camp Road.

It was while I was out exploring the tracks around the Hereweka property near Larnach’s Castle that I came across these ruins. I’d spent a good portion of the day walking up and down hills, climbing over and under things, taking wrong turns, stepping over and in sheep poo and generally rather enjoying myself. Before heading home, I came across this derelict building on the Larnach estate. It looked to be an old cottage of some description going by the layout, room sizes and fireplaces, maybe to do with the farm that was operating at the time when Larnach occupied the property. But then again, this is just an assumption. Either way, it was fun to explore and photograph.

Dunedin’s Traditional Chinese Garden

Daily Photo – Dunedin’s Chinese Garden

The idea to develop a traditional Chinese garden right in the city had been ruminating around the council officials for some time. Then, in the early 200o’s the idea swung back into life. It wasn’t just about creating a pretty space, it was a way to recognise the Chinese community that had been part of Otago since the gold rush in the 1860s and made a big impact on the region. 

The garden was designed in the style of a classic Chinese garden, and to keep it authentic, most of the materials were shipped straight from China, everything from tiles to timber. Then in 2007, around 40 skilled workers came over from Shanghai and built the whole thing by hand, using traditional Ming Dynasty techniques. A tribute to history, heritage, and the bond between cultures.

Otago Peninsula from Harbour Cone

Otago Peninsula from Harbour Cone

It was steep, very steep and the weather was changing quickly. Turns out that pamphlet I had read before leaving home was right. Who knew the people who wrote those things actually knew what they were talking about? I hadn’t noticed it at first, but now I was actually starting to feel rather cold. The wind? Oh yeah, definitely picking up. And the rain? Spitting again, this time a wee bit harder.

At the summit, I stood for a moment, let the wind blow through my hair, and fixed my gaze beyond the horizon. I stayed a while to take a few photos, enjoy the view, and have a drop of water. It really was quite spectacular. Standing there, at the highest point on the peninsula, I suddenly knew what it must have felt like for Sir Edmund Hillary when he reached the top of Mount Everest. It was nice to have something in common with the great man.

Papanui Inlet

Papanui Inlet

Recently, I’ve been spending a fair bit of time on the Otago Peninsula on a number of photographic outings. These journey’s aren’t particularly planned ahead of time, instead I have a list of locations in my head that I pick from, depending on the time of day and weather. The peninsula can be such a moody place when the weather changes and low clouds roll in. That’s what happened here while at Cape Saunders – low misty rain and heavy cloud cover drifted in from out at sea within a matter of minutes.