The Highcliff Track

Daily Photo – The Highcliff Track

A few of the enduring pleasures of summer in Aotearoa are beach days, barbecues that stretch long into the evening, and exploring walking tracks beneath the hot summer sun. And when it comes to places for walking, the Otago Peninsula has plenty to choose from. It’s one of those rare places that manages to feel both wild and welcoming at the same time, a glorious stretch of land where the views go on forever and you can easily lose an entire morning deciding which track to take next. There’s no shortage of choice out here, and each path seems to promise some new discovery, or at the very least, a better view than the one you’ve just left behind.

One of my favourite route begins down McMeeking Road – a lovely, meandering descent that eventually links up with the Highcliff Track proper, winding through open farmland and coastal bush before spilling you out towards Boulder Beach. From there, you can loop back via the Paradise Road Track, which climbs up to Highcliff Road, a satisfying, if occasionally breath-stealing, end to the journey.

The Harbour That Never Was

Daily Photo – Blackhead Beach

Speaking of Blackhead Beach, I came across a story that I found rather amusing. I’ve no idea if it’s true, but it’s a good one nevertheless.

Back in the 1980s, when everyone was wearing shoulder pads, parachute pants, and glowing like neon nightlights in all that fluro clothing, a local Dunedin firm supposedly came up with the unique idea of turning the point, with its distinctive basalt columns, into a man-made harbour.

The plan, as I understand it, was to keep quarrying the centre of the headland until they had a colossal hole some 50 metres below sea level. Then they’d blast through the seaward wall, allowing the Pacific Ocean to rush in and flood the pit, creating a safe, man-made boat harbour for local boaties.

Let’s just think about that: they were prepared to sacrifice an internationally recognised geological wonder – one that had been compared to the Giant’s Causeway – just to create an artificial, industrial-scale paddling pool. The sheer confidence of the idea is breathtaking.

Happily, the story ends well. A concerted effort by environmentalists, surfers, and other local groups managed to save the spectacular columns, scuppering the harbour scheme for good.

Peter Thomson’s Rambles Round Dunedin

Daily Photo – Basalt Columns at Blackhead Beach

The earliest recorded European appreciation of Blackhead comes not from a surveyor, but from an enthusiastic fellow with a walking stick – Peter Thomson. This mid-19th-century rambler, writing under the pseudonym “Pakeha,” contributed a regular column to the Otago Witness in the 1860s, chronicling his adventures under the banner Rambles Round Dunedin.

On one such outing, he turned his gaze to the spectacular basalt columns, now sometimes called the “Roman Baths”, at what he referred to as the “Green Island Peninsula.” He didn’t merely note the geology; he positively gushed, offering a truly world-class comparison:

“The base of the hill is composed of a magnificent range of basaltic columns… quite as complete as those of Fingal’s Cave at Staffa, or the Giant’s Causeway in Ireland.”

Thomson’s exuberant praise, a fine example of early local boosterism, helped establish Blackhead as a bona fide scenic attraction among settlers by the late 1860s.

New Edinburgh (Dunedin)

Daily Photo – New Edinburgh (Dunedin)

Ah, Dunedin. Or as the founders – a determined band of Free Church Scots envisioned it: New Edinburgh. Looking down at this photograph, you can’t help but feel a flicker of sympathy for the poor soul charged with turning that grand vision into reality: the surveyor Charles Kettle.

Kettle, bless his geometric heart, arrived with orders to impose the dignified symmetry of an old Scottish capital onto a landscape that clearly loathes straight lines. His solution, and the city’s most curious feature, was The Octagon.

You can spot it hunkered in the centre of the grid here, an eight-sided plaza embraced by the slightly larger eight-sided ring of Moray Place. The sheer Presbyterian grit required to stamp such perfect octagonal order onto a landscape of hills and winding gullies is frankly heroic. Kettle wanted something “Romantic”, but what he achieved was a street plan so ambitious (and so steep – I’m looking at you, Baldwin Street, officially the world’s steepest!) that the horse-drawn traffic of the 1800s must have been perpetually on the brink of despair.

It is, in short, a glorious, muddled masterpiece, a city born from a meticulous Scottish dream and then cheerfully wrestled into being by New Zealand’s uncooperative geology. The result? A town centre that is as memorable as it is magnificently improbable.

One Night on The Esplanade

Daily Photo – One Night on The Esplanade

I took this one night on the Esplanade, when I set out on one of my little missions of chance – otherwise known as “wandering about hoping something interesting happens.” I do this from time to time, mostly as a personal creative challenge, or perhaps as an excuse to postpone doing anything more sensible. The light wasn’t ideal, but that’s often when the best surprises appear, if you’re patient – or slightly foolish – enough to look for them.

And before you ask, no, the lights along St Clair aren’t actually those colours. They’re the usual street lamps, those modern LED ones that bathe everything in a sort of sterile hospital glow. Once upon a time, they were sodium vapour and turned the place a cheery shade of orange, like the world’s largest baked bean. I decided to give them a bit of artistic encouragement,  a dash of colour and variation, just to see what might happen. After all, if the evening insists on being ordinary, you might as well give it a little nudge.

Shiver Me Timbers

Daily Photo – Garage Door on the Otago Peninsula

It’s Robert Louis Stevenson we can thank for the term “Shiver me timbers.” The phrase first appeared in his 1883 classic Treasure Island, tumbling out of the mouths of salty sea dogs like Long John Silver. Despite what people think, before Stevenson, there’s no written record of pirates – or anyone else – actually saying it. What we do know is that the “timbers” were the wooden ribs of a ship, and to have them “shivered” meant they were splintered or shaken by cannon fire or rough seas. So, when a pirate bellowed “Shiver me timbers!” he’s really just expressing shock or alarm, the way we might say today “Good grief!” or “You’re kidding!”. Over time, it became one of those wonderfully pirate catchphrases, cemented by Hollywood and Halloween costumes. So next time you hear it, tip your hat to Stevenson – without him, our pirates might be a lot less colourful, and a lot less fun.

Déjà View: St Clair at Dawn

Daily Photo – Déjà View: St Clair at Dawn

I have absolutely no idea if I’ve posted this photo here before. I can’t for the life of me remember – which probably says something worrying about my memory. Still, if I have, consider it an encore performance. I took it one morning at St Clair when the sky looked as if someone had spilled raspberry syrup across the horizon. Hard to say whether it was the sunrise or the coffee that woke me up first.

From Morning TV to Morning Light

Daily Photo – Dawn in Dunedin

In the morning I woke early and peered out the window from between the curtains to see what kind of day it was – and it was a good one. Through the darkness, pockets of light were emerging on the horizon, with splashes of colour delicately sweeping across the clouds, as if brushed by an artist’s hand. I switched on the TV for some background noise while I got ready. One of the major networks was running its usual morning show with two perky presenters trying their best to jolly viewers along through their morning rituals. On this occasion, one was engaged in an in-depth discussion about children’s birthday parties and how much to spend on goodie bags – enough to please the masses, but not enough to require a small bank loan. Clearly, he’d been stingy and was hoping his co-presenter would defend him. She did not. Between this high-level debate came updates about the 80th anniversary of VE Day in the United Kingdom and something about the US President saying or doing something stupid. Moments later, the conversation was back to arguing about whether glitter was appropriate. Clearly this was quality morning television at its finest.

After ten minutes of this enlightening broadcast, I went in search of something more uplifting. I was heading for a few beaches on Dunedin’s northern coast, but on the way, the sky burst into a fiery sunrise over the harbour. I stopped at a nearby railway overbridge, where the tracks led straight toward the glowing horizon. The sky blazed hues of orange and yellow that seemed to dance on the still water below –  the quiet coastal suburbs basking in the warm light of a new day.

Old Taieri Ferry Road Bridge

Daily Photo – Old Taieri Ferry Road Bridge

After the turn-off to Henley, the road slipped into that gentle kind of countryside where nothing much seems to happen, and that’s exactly the appeal. A few paddocks, a weathered mailbox or two, and then a striking red bridge appears, stretching over the Taieri River. The ironwork, a splash of colour against the green hillside and blue water below, it was all very pleasant.

I knew I should probably have kept going straight to Milton, but curiosity gets the better of me when I’m on the road. So I stopped, wandered down to the riverbank, and admired how the bridge stood and its surroundings. There’s a stillness to places like this that you don’t get anywhere near a highway.

Later on, I learned the river was once crossed by punt long before any structure like this existed. I remember once reading that the old Taieri Ferry was one of several operating along the river in the 1800s, a simple wooden flat-bottomed craft that carried farmers, travellers, and the odd cartload of sheep across, depending on the season and the river’s mood. Before bridges, these ferries were lifelines, often run by local families who knew the currents as well as their neighbours.

If there’s one thing I’ve learned about travelling through South Otago, it’s that the detours are always worth it. They’re where you find the places that don’t try to impress you, they just quietly invite you to pause, look, and imagine all the small stories that have passed this way before.

Those Red Telephone Boxes

Daily Photo – Those Red Telephone Boxes

I do love these red phone boxes. I stop and look at them every time I walk past. There used to be three of them, but I’ve no idea what happened to the third! There were once many more across the city until Telecom New Zealand took over the national telephone service and decided to modernise them by removing them completely.

Such was the public outcry that Telecom agreed to keep the red colour, however, they soon began replacing the old wooden boxes with new metal and plastic payphones. Personally, I think the former heads of Telecom should be made to track down and reinstall every single red phone box throughout the city.

While we’re at it, they should restore the train networks that once ran throughout the city and across the region. Further more, we could reverse the effects of quarrying at Blackhead, rebuild Cargill’s Castle, go back to firing a noonday cannon from Bell Hill, bring back the trams, re-establish all the student bars, revive the ferry steamer that used to run on Otago Harbour, and finally, rebuild every heritage building that’s been pulled down – brick by brick – starting with The Exchange Building that was demolished in the 1960s.

Then, Dunedin would be a truly wonderful city.

The Esplanade

Daily Photo – The Esplanade

I had a good walk along the St Clair Esplanade and along the beach, enjoying the combination of a slow mid-morning amble and sun-splashed water, unsurprised that many had the same idea. On the way back to the car park, I passed the busy cafés and restaurants doing a brisk morning trade as people soaked up the spring sunshine outside the various buildings that line the sea front.

The newest of these establishments is a three-storey apartment and retail complex that opened earlier in the year. While the upper floors are apartments offering splendid sea views and the chance to watch the tops of people’s heads as they stroll past, the ground floor features a wine bar next door to an authentic artisan gelato shop. The whole complex gives the area a more complete, polished feel – especially since the section had sat empty since the old St Clair dairy was pulled down in 2001. The place was alive with people eating, drinking coffee, walking dogs, carrying surfboards, and generally carting every sort of thing one might take to the beach on the first day of a long holiday weekend.

Harrington Point on the Otago Peninusla

Daily Photo – Harrington Point Gun Emplacement

The other month I went for a wander out to the Harrington Point gun emplacements on the Otago Peninsula, one of those places you always mean to explore properly but never quite get around to. I’d driven the long, winding road past the familiar waterside spots of Macandrew Bay, Broad Bay and Portobello, through Ōtākou and on to Taiaroa Head, before parking my car as carefully as possible at Harrington Point.

The site itself was first constructed in the late 1880s, when the good people of Dunedin were convinced the Russian Empire was about to sail in and start something dreadful. The whole complex, observation posts, underground tunnels, magazines, engine rooms and all was built in earnest anticipation of a war that, of course, never came. Still, it must have made for excellent local gossip at the time.

That afternoon I wandered, tripped and scrambled my way around the remains, occasionally losing my footing and my sense of direction but never my curiosity. The incoming tide lapped at the rocks below the cliffs as I explored the old stairwells and passageways, hoping to stumble upon some long-forgotten relic. From one weathered doorway a narrow stairwell led deeper underground, connecting a warren of echoing tunnels and rusting fittings that once formed the nerve centre of Dunedin’s defences.

It’s an amazingly fun and oddly peaceful coastline, part history lesson, part playground with seabirds and seals forever close to hand, as if they, too, were keeping watch for something that might not arrive.

Blackhead Beach

Daily Photo – Blackhead Beach

Looking up at those dark cliffs and their strange hexagonal pillars at Blackhead Beach, you get the feeling the earth here is older than time itself. And in a way, it is. The headland was born about ten million years ago, when the great Dunedin Volcano was still rumbling and lava was spilling into the sea. As it cooled, the molten rock cracked and shrank into perfect six-sided columns, nature’s own geometry lesson. The result is the striking formation known locally as the “Roman Baths,” a natural amphitheatre of basalt that looks as if it were carved by an ancient civilisation rather than made by chance.

Yet, long before geologists admired these pillars or quarry trucks began to rumble nearby, Māori knew this place by very different names Te Wai o Tinarau, “the waters of Tinarau,” and Makereatu, roughly translated as “to leave a seed.” The names alone hint at a deep connection with both sea and story. Tinarau/Tinirau, is a figure in Polynesian culture associated with the sea. To name this coastline after him suggests an understanding that went beyond simple geography, a recognition of the tides, the fish, and the life that springs from the sea.

Even the second name, Makereatu, has a poetry to it. A sense of something passed on, perhaps the way every wave that breaks here leaves behind a trace of the one before. It’s a reminder that places like Blackhead are layered not just in basalt, but in meaning. The rocks tell a tale written in lava; the names tell one spoken in generations. Both deserve to be read slowly.

Lady Chatterley’s Lover

Daily Photo – Lady Chatterley’s Lover

Here’s a sudden swerve in direction for a Thursday morning (or whatever day and time it happens to be when you’re reading this).

The other day I spotted a wee snippet in the local paper marking 65 years since Penguin Books went on trial in London for publishing D.H. Lawrence’s Lady Chatterley’s Lover. It caused a full-blown cultural storm in the 1960s because a publisher had dared to print a novel complete with sex scenes and swearing. The government, horrified, decided this simply wouldn’t do and charged them with obscenity. The prosecution, still clinging to Edwardian manners, good taste, and a solid dose of prudishness, asked the jury whether this was a book “you would wish your wife or your servants to read.” It showed just how spectacularly out of touch they were. When Penguin was found not guilty, it was a win for literature. It marked the point where Britain and much of the English-speaking world, began shaking off the moral stiffness of the 1950s. From then on, writers could explore feelings, emotions, and the messier bits of human love without being carted off to court or thrown in jail.

Looking back now, it’s hard not to smile at the irony. Imagine if the prosecution had got their hands on Fifty Shades of Grey- they’d have fainted before making it past page one. Not that I’ve read either mind you.

Doctors Point

Daily Photo – Doctors Point

About a century ago, when a group of local doctors were looking for a place to escape the hustle and bustle of Dunedin, they settled on a quiet stretch of sand and bush just north of Waitati. So, when they came across the seaside sections at Blueskin Bay, they quickly snapped them up, building simple holiday cottages where they could unwind, fish, and forget about the demands of daily life.

The area quickly became known as “Doctors Point” and the name stuck. The place quickly became a favourite weekend retreat for Dunedin’s professional elite. Over the years, parts of the land the doctors once owned were turned into public reserves, and the beach became a place for everyone to enjoy – families, walkers, and swimmers alike.

Today, Doctors Point is one of those beautiful, quietly historic corners of the coast that still carries its story in its name. Standing there at low tide, looking across to Purakaunui and the cliffs beyond, it’s not hard to imagine the doctors arriving by train or car, grateful to trade stethoscopes for fishing rods and a breath of fresh sea air. It’s even got some wonderful sea caves that are good for exploring.

Purakanui

Daily Photo – Purakanui

There’s something delightful about Purakanui, tucked away behind Port Chalmers and Aramoana on Dunedin’s northern coast. On this walk, I stumbled upon a row of weathered boathouses perched above the turquoise water, each one painted a little differently, as if competing gently for attention. The stillness of the inlet, the reflection of the hills, and the smell of salt and pine made it one of those moments you want to bottle up and take home.

Purakanui feels like a hidden place, one that hasn’t changed much in decades. The boathouses lean slightly with age, but that only adds to their charm, they’ve stood through storms, tides, and time itself. The bush presses in close behind, and when the wind drops, the only sounds are the lap of water and the occasional bird cry from the bush.

It’s the kind of scene that reminds you why exploring the backroads around Dunedin is so rewarding.

The Small Village of Aramoana

Daily Photo – The Small Village of Aramoana

I headed for the small village of Aramoana. It was here, in 1880, that Englishman Sir John Coode came up with a plan. To protect Otago Harbour’s entrance from silting, he decided to try and direct the tidal flow. His idea was simple: cleverly design two moles at the head of the harbour,one jutting out from Taiaroa Head and the other from Aramoana. However, due to some miscalculations with the budget, the Harbour Board only had the finances to complete the mole at Aramoana. Even then, it was built to only half the height of Sir John’s specifications, and by the 1920s storm damage had destroyed a large portion of it.

And speaking of Aramoana, here’s a fact for you. Eighty species of moths have been recorded on the Aramoana saltmarsh, and, further to that, the tidal flats there are the most important habitat for wading birds in Otago. While we’re on the subject of birds, when hoiho penguins (like the ones that live in the dunes near Keyhole Rock) go out to sea to feed, they travel up to fifteen kilometres from shore and down to depths of a hundred metres.

Yet we wouldn’t have all that if they’d gone ahead and built an aluminium smelter here in the mid-1970s. The idea, apparently, was to turn this quiet stretch of beach and dunes into an industrial complex of pipes, smoke, and humming machinery, a sort of “progress at any cost” scheme. Locals were, quite understandably, horrified. The thought of bulldozers trundling over sand where penguins nested didn’t exactly inspire confidence in the future of mankind. Protests were held, signs were painted, and Aramoana very nearly became a synonym for environmental heartbreak. Thank goodness Aramoana was saved.

Observation Point in Port Chalmers

Daily Photo – Observation Point in Port Chalmers

If there’s one thing to be discovered at Observation Point in Port Chalmers, it’s the view. I know that might sound a little obvious, but it’s the very view that the famous New Zealand artist Ralph Hotere drew inspiration from – and it’s amazing! It’s not hard to see why he loved it so much, or why he fought so fiercely to keep it.

In the 1970s, Hotere bought a four-room cottage near Observation Point and turned it into his first studio, transforming it quite a bit along the way. When a near-derelict stable next door came up for sale, he was desperate to get hold of it. Not only were the stables rumoured to have once housed Captain Robert Scott’s ponies on their way to Antarctica, but they also offered stunning views right down Otago Harbour – and they did not disappoint.

Once settled, Hotere produced some of his most famous works there and was content enough until the early 1990s, when Port Otago moved to reclaim the land for a port extension. Logging exports to Japan were booming, and to keep up with demand, the port needed to expand its operations, which meant they needed Hotere’s land. The problem was, he wasn’t about to move. What followed was a long, very public dispute between the artist, local authorities, and the community. Eventually, though, Hotere reluctantly agreed to sell, allowing the port’s expansion project to finally go ahead.

When he gave in, many who had supported him felt a way of disappointment. No one’s entirely sure what prompted his change of mind, perhaps he simply grew tired of the fight and decided to move on. Whatever the reason, when the dust settled, Hotere donated the proceeds from the sale to the Frances Hodgkins Fellowship Trust Fund. Today, the Hotere Garden Oputae stands on the site where his studio once was. It opened in 2005, marking the return of four of his sculptures to the hill that inspired him for so many years.

Still Boats in Deborah Bay

Daily Photo – Still Boats in Deborah Bay

From Port Chalmers, I headed down the harbour road towards Aramoana – stopping on the way to see an old Torpedo Boat base. Tucked away in Deborah Bay, just around the bend from Port Chalmers, is the curious relic of the remains of Torpedo Boat Mole. It sounds like something out of a war film, but in fact it’s a small stone jetty built in the 1880s when New Zealand decided it needed a navy, or at least a few boats that looked like one. At the time, fears of a Russian invasion ran high, and several “torpedo boats”, essentially small, fast launches armed with spar torpedoes were stationed around the country, ready to defend the ports – just in case!

Dunedin’s was based here in Deborah Bay, sheltered and out of sight from prying enemy eyes. The mole itself was built to provide a base and slipway for the vessel, though the threat of attack never came, and the torpedo boat saw little action beyond the occasional exercise. Today, the remains of the mole sit quietly at the water’s edge, stones weathered and covered with a few picnic tables that are a lovely spot on a fine day, a reminder of a time when the nation nervously watched the horizon for warships that never appeared.

The Banzai Pipeline Stunt

Action Park

Looking for a good Waterslide documentary? Checkout Class Action Park: a 2020 documentary film about the American amusement park Action Park, which was located in Vernon Township, New Jersey.

Daily Photo – The Joy of the Waterslide

I like to think the worlds first waterslide was invented on a fine, sunny day by two blokes on a particularly steep hillside. I imagine one, with a red, oil covered baseball cap and a large handlebar mustache whose name is something like, Hank, putting down his beer, turning to his friend Jerry, and saying:
“Hey, here’s an idea. If we make a long steep ramp and shoot water down it really fast like, into that pool of water at the bottom, we might really have something. We could even sit in things and leave our fate up to gravity.”
To which Jerry replies, “Yeah, we could invite our friends and charge people money!”

This random train of thought got me thinking that of course, not every waterslide adventure ends in fun and in my reading, I found some alarming statistics. In March last year, a study in Texas found that the most common water park injuries were slips and falls, traumatic brain injuries, spinal and neck injuries and near-drowning. Across the pond, our friends in the United Kingdom found in a similar study that more than half of injuries affected the face and head, 29% happened on landing, and 24% were caused by slipping. And here in New Zealand, in the year from 2021, we spent roughly $3 million treating injuries. Clearly, water slides are fun, though not entirely without risk – and not immune from acts of stupidity, like The Banzai Pipeline Stunt in California.

In June 1997, a group of graduating High School seniors were at Waterworld USA, location of the popular Banzai Pipeline water slide. On this occasion, ignoring both the lifeguard and park official warnings, the seniors attempted to pile over sixty people onto the one-person ride. The colossal, unexpected weight caused the elevated fiberglass to snap with a groaning collapse. The pipeline sheared apart, plunging the screaming, interlocked students three stories down onto the hard concrete deck below with over thirty severely injured.

Now, I have absolutely no idea who invented the world’s first waterslide, when it happened, or why, but my guess is they were American – and either extremely confident in their mathematical calculations or had been drinking a whole lot.

Burns House – a Kind of Mathematical Poetry

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Daily Photo – Burns House – a Kind of Mathematical Poetry

There’s something oddly beautiful about buildings like this, all rhythm and repetition, concrete and glass, each window framing a tiny world. From a distance, it looks almost like a giant puzzle, oddly precise and orderly with small irregularities, a curtain half drawn, a light left on or a reflection that doesn’t quite fit the pattern. That’s the charm of it. What was once just another office block now feels almost nostalgic. There’s a kind of mathematical poetry in its plainness. In fact, if you stare at it long enough – it almost becomes an optical illusion.

Chicago Skyscrapers & Edwardian Elegances

Daily Photo – Chicago Skyscrapers & Edwardian Elegances

In December 1909, when the first tenants moved into the New Zealand Express Company Building (now Consultancy House) in Dunedin, what excitement there must have been. People stopped in the street, craned their necks skyward, and gasped in awe at the imposing edifice stretching up towards the clouds. It was unlike anything the city had seen before. Here was an amalgam of Chicago skyscraper and Edwardian elegance at its very finest, seven storeys of groundbreaking architectural wonder.

The soaring colossus that had risen from the ground in Dunedin’s Bond Street in a little over two years was a triumph of modern engineering. To create such a towering structure took around 400 tonnes of steel, over 500,000 bricks, and approximately 1,000 cubic feet of Oamaru stone. Add to that the kauri and rimu timber for floors and doors, the pressed-metal ceilings imported from the United States, and the marble stairs and tiled entryways, and it’s easy to see why Dunedin was proud. It was the tallest building in the Southern Hemisphere, its view said to be unsurpassed anywhere else in the city, and its form of construction, as one newspaper noted, “had so far not yet been adopted anyway in the colonies.” This was one impressive building! Even more remarkable was the staggered occupation that took place upon opening, uncommon at the time, especially for large commercial buildings such as this. When the first tenants moved in towards the end of 1909, five of the seven storeys were complete, while work continued on the upper floors until final completion in 1910.

I mention this because the other day I happened to be near Consultancy House, not far from a new building recently opened in a style I like to call pointy and angular, a perfect example of what happens when architects are given a ruler, a lot of money, and far too much confidence. It looks like someone wrapped an office block in a giant, golden Venetian blind. No doubt it’ll take a team of highly paid specialists to fix it the moment a bird so much as sneezes on it. It’s not that I dislike the new four-storey, $45 million ACC Ōtepoti development, it’s just that I much prefer a little grand Victorian or Edwardian elegance, with an ornate façade in my buildings.

Dunedin Railway Yards

Daily Photo – Dunedin Railway Yards

At its peak, Dunedin’s railway yards were incredibly busy. From the late 19th century through to about the 1950s, they were among the busiest in the country. The station wasn’t just a passenger hub; it was the operational centre for the entire Otago region. Hundreds of workers were employed in the yards, long trains loaded with wool, timber, livestock, coal, and manufactured goods constantly came and went, connecting Dunedin to the port at Port Chalmers and to inland towns as far as Invercargill and Central Otago. The smell of coal smoke, the clang of metal, and the hiss of steam were part of the city’s daily life with up to one hundred trains passing through the station each day at its peak.

Boulder Beach on the Otago Peninsula

Daily Photo – Boulder Beach on the Otago Peninsula

Earlier in the year, I took a walk down to Boulder Beach on the Otago Peninsula. The idea came to me one evening when, having a few days spare, I decided I would put it to good use and get in some physical exercise. This was at odds with my initial plan, which had been to lay on the couch and watch Major League Baseball, moving only to go to the toilet and gather more snacks that I would inevitably accumulate in a large pile in front me! So, after a heated debate with myself, I eventually settled on the walk and the next morning I headed out the door with an eagerness in my step, a spirited sense of adventure, and a bag full with camera equipment. 

Once upon a time, access to Boulder Beach was possible via a well-maintained and signposted track that led down to the beach. Along the way, walking tracks branched off through the dunes and up over the nearby hills. You could spend an entire day exploring them, and never walk the same track twice. Now, all those paths are a distant memory, and for good reason – it is a protected wildlife area. You see, it is often visited by fur seals and sea lions, and is a favoured nesting spot for yellow-eyed penguins. In fact, the beach is so popular with these shy, nesting birds that the track is closed to the public from November to February during the breeding season.

I walked down to the beach. The farm road was longer and steeper than I remembered, and the nearby sand dunes had collapsed, resulting in an unexpected excursion through newly formed valleys, overgrown and heavy with dune. Reaching the bottom of the hill, I pushed my way through dense bushes tangled with vines. Every so often, the path would disappear—only to reappear moments later.

Eventually, after much swearing, I stumbled upon the isolated, wild, windswept beach. Golden dunes spilled to the shoreline, while large mounds of dark, smooth stones stretched along the beach and into the distance. The air was rich with salt, and the rhythm of waves rolling beneath the endless blue sky. Quiet, peaceful, and serene.

Sunset in Palmerston North

Daily Photo – Sunset in Palmerston North

I found my way to Palmerston North. My initial plan had been to head to Taranaki and New Plymouth however, cyclone warnings had popped up all over the North Island, meaning a change in direction was required. So, I ended up in Palmerston North. 

Surprisingly, I arrived under bright sunshine, something I hadn’t seen in some days on my trip through the North Island. After leaving a place called Waiōuru I drove through places called Taihape, Mangaweka, Cheltenham and Fielding, arriving in Palmerston North in the mid to late afternoon where I called in at a spot called ‘The Square’ and went for a walk around. Located in the very centre of the city, The Square is 17 hectares of land that features monuments, fountains, art work and picnic areas. At one end was a large Plaza while the other end featured the usual arrangements of shops that you might expect to find in a city centre. It was large with small pockets of people scattered around enjoying the warm, sunny day. For a long time, I couldn’t work out what it was, however something didn’t seem right. Then it struck me, that was exactly what was wrong. It was large and open but there simply wasn’t anyone there! In a larger city, it would be filled with people but here in Palmerston North it almost seemed too big. Almost as no one was really sure what to use it for. 

For a short time I walked the streets looking at the sites that the locals see everyday. Then, once that was done, I went to find some accommodation, a bite to eat and a drink. However, not necessarily in that order!

Moeraki Village

Daily Photo – Moeraki Village

So on to Moeraki, the village rather than the boulders, that is. Moeraki Village is a small, quaint settlement at the end of a big bay on the South Island’s east coast, about 30 minutes south of Oamaru, give or take depending on traffic. And, may I say, a lot nicer than some round boulders sticking out of the sand that people climb all over. In case you haven’t guessed, I’m not really a fan of the Moeraki Boulders, unless I’m photographing them at sunrise when the tide is right – they just don’t hold that much appeal to me. The village, on the other hand, I do very much like. It’s quiet, slow, and everything moves at its own pace in a relaxed, unhurried sort of way. You can eat fish ’n’ chips by the bay, stroll along the beach, or, if you’re feeling adventurous, you can wander up to the lookout on the point like I did, which is situated on a Māori pā site, and look out across the expanse. It is quite a sight, I can tell you. In fact, the view is so good, people have built houses right in front of some of the viewing platforms, meaning you can happily gaze down onto the beach, across the bay, inspect people’s back gardens, or see if their guttering needs a clean.

On the occasion I was there, the whole village was being buffeted by an enthusiastic wind that had gathered momentum somewhere far out to sea and was making a spirited attempt to relocate the entire place inland and blow the local sea-gull population into low orbit. By the time I reached the lookout, the wind was howling so loudly I clung to the railing, half convinced I might take flight at any moment, and looked out across the vast Pacific, which, I have to admit, is rather impressive. Much like Moeraki in its own unique way.

H&J Smith’s in Invercargill

Daily Photo – H&J Smith’s in Invercargill

How many department stores can claim to be loved? Not just used, or remembered fondly, but genuinely loved. Down in Invercargill, H&J Smith’s managed it. For more than a century, this grand old shop sat on the corner of Tay and Kelvin Streets like a friendly old uncle, a little formal, slightly out of fashion, but always there when you needed a decent raincoat or a set of sheets.

Founded in 1900 by siblings Helen and John Smith, it began as a drapery and somehow grew into a Southland institution. Generations of locals bought their school uniforms, wedding gifts, and first suits under its roof. It even had a tearoom called ‘The Copper Kettle’, where you could order a sandwich and feel like you’d stepped into 1957.

When the store finally closed its doors in 2023, after 123 years, it wasn’t just a sale that ended, it was a chapter. People stood on the footpath to say goodbye, as if farewelling an old friend who’d seen them through every season and in some ways, I guess they were!

Kaitoke Regional Park

Daily Photo – Kaitoke Regional Park

Kaitoke Regional Park is a beautiful spot – 2,860 hectares of native bush tucked into the foothills of the Tararua Ranges, with the Hutt River slicing a deep, dramatic gorge through the middle of it. Here, the forest feels ancient, with tall rimu and beech trees, tangles of rātā and fern with everything damp, green, and quietly humming with life.

Long before anyone was driving up here for a picnic or a stroll, local Māori used these valleys as travel routes between the Wairarapa and Wellington. That was, of course, until the Europeans turned up with saws and plans, cutting their way through much of it to open a road or two after 1856. Luckily, it only took about ninety years for someone to find the good sense to stop. From 1939 onwards, land was gradually bought back to protect the city’s water supply, and by the 1950s people were coming for swims instead of timber.

It officially became Kaitoke Regional Park in 1983, and today it’s exactly the sort of place you go to forget you live near a capital city – at least for a few minutes. Stand there long enough and you can still sense the history in the place, the feeling of movement threading its way through the bush.

Observation Point in Port Chalmers

Daily Photo – Observation Point in Port Chalmers

If there’s one thing to be discovered at Observation Point in Port Chalmers, it’s the view. I know that might sound a little obvious, but it’s the very view that the famous New Zealand artist Ralph Hotere drew inspiration from – and it’s amazing! It’s not hard to see why he loved it so much, or why he fought so fiercely to keep it.

In the 1970s, Hotere bought a four-room cottage near Observation Point and turned it into his first studio, transforming it quite a bit along the way. When a near-derelict stable next door came up for sale, he was desperate to get hold of it. Not only were the stables rumoured to have once housed Captain Robert Scott’s ponies on their way to Antarctica, but they also offered stunning views right down Otago Harbour – and they did not disappoint.

Once settled, Hotere produced some of his most famous works there and was content enough until the early 1990s, when Port Otago moved to reclaim the land for a port extension. Logging exports to Japan were booming, and to keep up with demand, the port needed to expand its operations, which meant they needed Hotere’s land. The problem was, he wasn’t about to move. What followed was a long, very public dispute between the artist, local authorities, and the community. Eventually, though, Hotere reluctantly agreed to sell, allowing the port’s expansion project to finally go ahead.

When he gave in, many who had supported him felt a way of disappointment. No one’s entirely sure what prompted his change of mind, perhaps he simply grew tired of the fight and decided to move on. Whatever the reason, when the dust settled, Hotere donated the proceeds from the sale to the Frances Hodgkins Fellowship Trust Fund. Today, the Hotere Garden Oputae stands on the site where his studio once was. It opened in 2005, marking the return of four of his sculptures to the hill that inspired him for so many years.

The Chaotic Charm of Wellington

Daily Photo – The Chaotic Charm of Wellington

I hadn’t been to Wellington for several years and was curious to have a wander round. I was due to catch a train and with time on hand, I took the chance to stroll around, starting with the harbour. I’ve always had a soft spot for the waterfront, it has a kind of restless charm, that uneasy balance between sea and city. The place feels alive, in its own odd way, with joggers, tourists, and office workers weaving around each other like they’re part of some unrehearsed dance. The air smells of salt and coffee, and every so often the wind roars in from the hills to remind you who’s really in charge. The gulls squawk, the old steam crane remains standing from another era, and the water laps against the wharf. All around, the hum of Wellington carries on, the clink of cups, the murmur of conversation, the sigh of the wind, as if the whole city is chaotically going about its business.