A Place With No Name
Racecourse Road, Lindenow (2015).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

Beyond The Horizon
Pukerangi, Sutton (2015).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

If It Is True I Now Do Know.
Homestead Road, Hakataramea Valley (2014).

Truth And Meaning, In Obscurity Be My Voice
Waikouaiti River, Waikouaiti (2017)

To See Eternity In A Grain Of Sand
Paraparaumu Beach, Kapiti Coast (2015).

And It Seems Like It Goes On This Forever
Ida Valley Background, Ida Valley (2014).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

Lost In Isolation
St Andrews-Waimate, St Andrews (2017).

Just A Drop Of Curiosity In An Endless Horizon.
McHardy Road, Middlemarch (2015).

Vision Lives Between Memories
Kapiti Island, Kapiti Coast (2017)

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

The Importance of Self-Awareness
Riverbank Road, Henley (2014).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

Reality & Imagination Woven Together
Scotts and Baudinetts Road, Lindenow (2015).

The Nature Of Individuality.
Middlemarch, Strath Taieri (2011).

What To Find I Did Not Know.
Lower Manorburn Dam, Lower Manorburn Reserve (2017).

Curiosity And Dreams In Another Moment
Fruitlands-Roxburgh, Fruitlands (2016).

Somewhere Else But Thee Be Not Here
Flat Top Hill, Butchers Dam (2018).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

Let Thy Message Be Clear.
Paraparaumu Beach, Kapiti Coast (2013).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

Memories Haunted In Mist
Sheppard and Papanui Inlet Roads, Otago Peninsula (2017).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

Back But Never Forward
Seacliff, Dunedin (2017).

Understanding Not In Clarity
Hampden Crossing, Hampden (2017).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

Then I Always Asked Why?
Hampden Crossing, Hampden (2017).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

Find A Voice, Shall Be Heard
Paraparaumu Beach, Kapiti Coast (2015).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

To A World Unsure
Karetai Track , Otago Peninsula (2017).

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.

To See The World In Overflow
Waitaki River, Kurow (2014)

The Expereince of Seeing (2021)

I began becoming more aware of the space and shape between objects in a photograph some time ago. It was born out of a desire to think about my photographs in a new way, partially out of questions I had about what I was seeing and partially out of wanting to view something differently.

I had been looking at the vernacular uses of photography from the 1960’s and 1970’s and there was something in what I saw that simply made sense. I’ve found that by thinking and looking in terms of snapshots capturing everyday life and subjects that I’ve become much more conscious about the experience of seeing.